Navigation 2023

Rare prints and maps...Since 1918! Click here to go to Darvill's home page.

Since Adirondack Retro acquired Darvill's Rare Prints in August of 2022, we have been working tirelessly on our New State-Of-The Art Website. We are excited to announce that it is now up and running and that our massive inventory of Antique Prints and Rare Maps are being transferred over to the new site daily. In addition to the nearly 500,000 prints found on www.DarvillsRarePrints.com, Adirondack Retro offers an eclectic selection of Antique and Vintage Advertisements along with their Limited Edition Giclee Prints. During this transition, customers will still be able to shop and make purchases on www.DarvillsRarePrints.com.

Sign up for our Mailing List and receive our Adirondack Retro Newsletter. When you sign up, we will email you a coupon code for you to get 15% OFF your first order at AdirondackRetro.com.

Authentic Antique prints by Charles Dana Gibson

Original lithographs over 100 years old, we do NOT sell modern reproductions.

The prints below are from various sources published by Collier's and Life between approximately 1894 and 1908.

Charles Dana Gibson (September 14, 1867 - December 23, 1944), was an American graphic artist, best known for his creation of the Gibson Girl, an iconic representation of the beautiful and independent American woman at the turn of the 20th century.

From the start, Gibson's interests were in portraying the social set rather than political figures, and his audience enjoyed the manner in which he poked fun at high society characters with their idiosyncrasies. His monthly salary started at $33, rising each month to $185 in the third month. His value to Life was clearly tangible to both publisher and illustrator from the first drawing, for his work caused circulation to increase. At the same time, he also sold his illustrations to Tid-Bits, later re-named Time magazine. By 1890, Gibson was illustrating articles for Scribner's, Century, and Harper's.

Gibson Girl

Charles Dana Gibson's signature

In 1890, he started drawing 'The Gibson Girl' and later featured her in his first full independent portfolio in 1894. Undoubtedly, Irene Langhorne Gibson, his wife, was the model for 'The Gibson Girl', and her granddaughter looks just like her. There have been other theories to the contrary but they are highly unlikely. In 1904, Robert Collier and Condé Nast tried to sign Gibson to their magazine team at Collier's Weekly, just as they had done with Pyle, Remington and Parrish. Gibson refused due to his loyalty to Life, but they compromised and agreed to a sharing relationship with Life, with a contract of $100,000 for 100 illustrations over a four-year period.

Source: National Museum of American Illustration

 

AB Frost
Charles Dana Gibson (1867-1944)

Click on the thumbnail images below to see an enlargement. The Darvill's digital watermark does not appear on the actual antique print.
Gibson Girls
Ref-21, SIDE A

[Gibson girls' heads]

From various sources published by Collier's and Life (circa 1894-1908)

Sheet size: approx. 17.125 x 11.125 inches
printed on both sides of the paper, see print to the right for opposite side
minor edge/corner wear, a fox mark or two
A Crooked Tale
Ref-21, SIDE B

A Crooked Tale

From various sources published by Collier's and Life (circa 1894-1908)

Sheet size: approx. 17.125 x 11.125 inches
printed on both sides of the paper, see print to the left for opposite side
minor edge/corner wear, a fox mark or two

$25

ABOVE 2 PRINTS, PRINTED ON BOTH SIDES OF ONE PIECE OF PAPER

Wireless Telegraphy
Ref-22, SIDE A

Wireless Telegraphy

From various sources published by Collier's and Life (circa 1894-1908)

Sheet size: approx. 17.125 x 11.125 inches
printed on both sides of the paper, see print to the right for opposite side
minor edge/corner wear including dog-ear crease lower left corner
Of course you can tell fortunes with cards
Ref-22, SIDE B

Of course you can tell fortunes with cards...

From various sources published by Collier's and Life (circa 1894-1908)

Sheet size: approx. 17.125 x 11.125 inches
printed on both sides of the paper, see print to the left for opposite side
minor edge/corner wear including dog-ear crease lower right corner

ABOVE 2 PRINTS, PRINTED ON BOTH SIDES OF ONE PIECE OF PAPER

cupid heart
Ref-23, SIDE A

The Expert: What makes you think she has one?
I can hear nothing.

From various sources published by Collier's and Life (circa 1894-1908)

Sheet size: approx. 17.125 x 11.125 inches
printed on both sides of the paper, see print to the right for opposite side
mild edge/corner wear
Sure to Be
Ref-23, SIDE B

Sure to be.
She: I am so anxious to have these theatricals a success. If the member are only enthusiastic, it will be.
He: Have no fear. Every man in it is to make love to another man's wife.

From various sources published by Collier's and Life (circa 1894-1908)

Sheet size: approx. 17.125 x 11.125 inches
printed on both sides of the paper, see print to the left for opposite side
minor edge/corner wear

$25

ABOVE 2 PRINTS, PRINTED ON BOTH SIDES OF ONE PIECE OF PAPER

Womanly Grief
Ref-24, SIDE A

Womanly Grief

From various sources published by Collier's and Life (circa 1894-1908)

Sheet size: approx. 17.125 x 11.125 inches
printed on both sides of the paper, see print to the right for opposite side
mild edge/corner wear, minor foxing around edges
A Necessary Ingredient
Ref-24, SIDE B

A Necessary Ingredient
He: I wonder why I can never obtain the same color effects as Reynolds and Rembrandt.
She: Perhaps it's in preparing the colors. I've heard that they used to mix them with brains.

From various sources published by Collier's and Life (circa 1894-1908)

Sheet size: approx. 17.125 x 11.125 inches
printed on both sides of the paper, see print to the left for opposite side
mild edge/corner wear, foxing around edges

$25

ABOVE 2 PRINTS, PRINTED ON BOTH SIDES OF ONE PIECE OF PAPER

kissing hands
Ref-25, SIDE A

[man kissing woman's hand]

From various sources published by Collier's and Life (circa 1894-1908)

Sheet size: approx. 17.125 x 11.125 inches
printed on both sides of the paper, see print to the right for opposite side
mild edge/corner wear, scattered fox marks
Making up his mind
Ref-25, SIDE B

Making up his ___?

From various sources published by Collier's and Life (circa 1894-1908)

Sheet size: approx. 17.125 x 11.125 inches
printed on both sides of the paper, see print to the left for opposite side
mild edge/corner wear, scattered fox marks

$35

ABOVE 2 PRINTS, PRINTED ON BOTH SIDES OF ONE PIECE OF PAPER

shade smoking
Ref-26, SIDE A

First Shade: There's one good thing about this place.
Second Shade: What's that?
We can smoke.

From various sources published by Collier's and Life (circa 1894-1908)

Sheet size: approx. 17.125 x 11.125 inches
printed on both sides of the paper, see print to the right for opposite side
mild edge/corner wear, scattered fox marks, rumpled upper right corner
The Hunt Ball
Ref-26, SIDE B

The Hunt Ball

From various sources published by Collier's and Life (circa 1894-1908)

Sheet size: approx. 17.125 x 11.125 inches
printed on both sides of the paper, see print to the left for opposite side
mild edge/corner wear, scattered fox marks, somewhat rumpled upper left corner

$35

ABOVE 2 PRINTS, PRINTED ON BOTH SIDES OF ONE PIECE OF PAPER

In the days to come the churches may be fuller
Ref-27, SIDE A

In the days to come the churches may be fuller

From various sources published by Collier's and Life (circa 1894-1908)

Sheet size: approx. 17.125 x 11.125 inches
printed on both sides of the paper, see print to the right for opposite side
mild edge/corner wear, scattered fox marks
An Ambassador's Ball in days to come
Ref-27, SIDE B

An Ambassador's Ball in days to come

From various sources published by Collier's and Life (circa 1894-1908)

Sheet size: approx. 17.125 x 11.125 inches
printed on both sides of the paper, see print to the left for opposite side
mild edge/corner wear, scattered fox marks

ABOVE 2 PRINTS, PRINTED ON BOTH SIDES OF ONE PIECE OF PAPER

Skyed
Ref-28, SIDE A

Skyed

From various sources published by Collier's and Life (circa 1894-1908)

Sheet size: approx. 17.125 x 11.125 inches
printed on both sides of the paper, see print to the right for opposite side
mild edge/corner wear, scattered fox marks
Life's Vaudeville
Ref-28, SIDE B

Life's Vaudeville
See elderly bachelor in his great double role, more particular and less desireable in 'Choosing a Wife'

From various sources published by Collier's and Life (circa 1894-1908)

Sheet size: approx. 17.125 x 11.125 inches
printed on both sides of the paper, see print to the left for opposite side
mild edge/corner wear, scattered fox marks

$25

ABOVE 2 PRINTS, PRINTED ON BOTH SIDES OF ONE PIECE OF PAPER

The story of his life
Ref-29, SIDE A

The story of his life

From various sources published by Collier's and Life (circa 1894-1908)

Sheet size: approx. 17.125 x 11.125 inches
printed on both sides of the paper, see print to the right for opposite side
mild edge/corner wear, scattered fox marks
Studies in Expresson. At a Dramatic Agency.
Ref-29, SIDE B

Studies in Expresson.
At a Dramatic Agency.

From various sources published by Collier's and Life (circa 1894-1908)

Sheet size: approx. 17.125 x 11.125 inches
printed on both sides of the paper, see print to the left for opposite side
mild edge/corner wear, scattered fox marks

ABOVE 2 PRINTS, PRINTED ON BOTH SIDES OF ONE PIECE OF PAPER

A Suggestion. For Ill-Assorted Pairs.
Ref-30, SIDE A

A Suggestion.
For Ill-Assorted Pairs.

From various sources published by Collier's and Life (circa 1894-1908)

Sheet size: approx. 17.125 x 11.125 inches
printed on both sides of the paper, see print to the right for opposite side
mild edge/corner wear, scattered fox marks
gibson girl sketches
Ref-30, SIDE B

[sketches of Gibson Girl]

From various sources published by Collier's and Life (circa 1894-1908)

Sheet size: approx. 17.125 x 11.125 inches
printed on both sides of the paper, see print to the left for opposite side
mild edge/corner wear, scattered fox marks

ABOVE 2 PRINTS, PRINTED ON BOTH SIDES OF ONE PIECE OF PAPER
 

previous page

next
Thousands of antique and vintage prints