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Genuine, original William Hogarth engravings and etchings from Darvill's Rare Prints

William Hogarth was an English painter and printmaker who poignantly commented the English society of the eighteenth century with biting satire. The career and life of Hogarth were as unusual as his prints.

William was born as the son of a shopkeeper (his mother) and a schoolmaster and publisher. The youth of William was overshadowed by the chronic financial problems of his father, who was even imprisoned because of his debts. This humiliating experience formed Hogarth for the rest of his life.

Hogarth started an apprenticeship as a silversmith in 1714, but never finished it. He then tried his luck as an independent engraver for copper plates. His early commissions were for cards, book illustrations and single prints. In 1720, he registered at the John Vanderbank Art Academy. Around 1726 or earlier, he was taught painting by James Thornhill whose daughter he later married. He earned some reputation for theater decoration paintings.

Hogarth experienced his first big financial success with A Harlot's Progress, a series of paintings from which he produced engravings in 1732. Only the engravings survived. The paintings were lost in a fire in 1755.

A Harlot's Progress is a set of 6 prints about the hapless life of a prostitute. It was a completely new kind of genre prints that were referred as moral history subjects.

After the big success of A Harlot's Progress, Hogarth published a male counterpart series, A Rake's Progress - a story in eight plates showing the decline of a promising young man into a life of drinking and immoral behavior.

In 1743, the painting series Marriage à la Mode was completed. It is considered his masterpiece. In Marriage à la Mode Hogarth turned his satire on the follies of the upper classes. The theme of this series is about marriage for money. Although the prints of Marriage à la Mode sold well, the paintings did not. Therefore all prints designed afterwards, were created exclusively as print designs without any painted counterparts.

In 1747 followed the series Industry and Idleness, a moral story of an idle and an industrious apprentice in twelve plates.

In 1753 Hogarth wrote his book The Analysis of Beauty, a wrap-up of his artistic and esthetic principles.

Hogarth was a very controversial and individual character. Driven by a sense for justice, he missed no chance to get into a quarrel with his contemporaries. His most hated enemy was the British politician John Wilkes, whom he had ridiculed in one of his engravings. William Hogarth died on October 26, 1764.

Finis The Bathos

(please click image above for enlargement)

The Bathos, or Manner of Sinking in Sublime Paintings

Designed and Engraved by William Hogarth

Original Copperplate Engraving and Etching from:
The Works of William Hogarth from the Original Plates Restored by James Heath, Esq., R.A.; With the Addition of Many Subjects Not Before Collected: To Which is Prefixed, a Biographical Essay on the Genius and Productions of Hogarth, and Explanations on the Subjects of the Plates by John Nichols, Esq., F.S.A.

London. Printed for Baldwin, Cradock & Joy, Paternoster Row
by Nichols and Son, Parliament Street
—1822—

Sheet size: approximately 25¼ x 19¼ inches, thick woven paper.
(approximately 64cm x 48cm)

Condition: Excellent; a few tiny, unobtrusive spots in margins; very minor "handling" or slightly rumpled paper — not at all detracting.
A nice, dark impression — particularly as this is the last print in the volume and tends to be damaged or foxed (see other prints available below).
Please see enlarged view by clicking on the image above. The Darvill's digital watermark, of course, does not appear on the actual antique engraving.

scroll down for available engravings


Finis The Bathos

(please click image above for enlargement)

The Bathos, or Manner of Sinking in Sublime Paintings

Designed and Engraved by William Hogarth

Original Copperplate Engraving and Etching from:
The Works of William Hogarth from the Original Plates Restored by James Heath, Esq., R.A.; With the Addition of Many Subjects Not Before Collected: To Which is Prefixed, a Biographical Essay on the Genius and Productions of Hogarth, and Explanations on the Subjects of the Plates by John Nichols, Esq., F.S.A.

London. Printed for Baldwin, Cradock & Joy, Paternoster Row
by Nichols and Son, Parliament Street
—1822—

Sheet size: approximately 25¼ x 19¼ inches, thick woven paper.
(approximately 64cm x 48cm)

Condition: Good to Very Good: some foxing, mainly in margin, but also light foxing inthe sky area of the image (would not be terribly noticeable once mounted/matted for framing).
Please see enlarged view by clicking on the image above. The Darvill's digital watermark, of course, does not appear on the actual antique engraving.

$300


The Bathos
(click image to enlarge)

The Bathos

"The Complete Works of William Hogarth"
(Mackenzie, London, 1870)

Sheet size: 8 3/4 x 12 1/4 inches
(steel engraving)

Condition: Excellent

(note: entire sheet is too large to scan)

$75

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